That month, Abraham Lincoln declared the first federally sanctioned Thanksgiving holiday. There were a lot of things going on in 1863, so it’s to be forgiven if you weren’t aware of a speech that Major General John Watts de Peyster of the New York Militia gave to the Vermont State Historical Society in October of that year.Īt the time of de Peyster’s speech, the Civil War was well into its Chattanooga campaign, a long slog of conflicts in the fall of 1863 that the Union won, raising the profile of future president Ulysses S. (via Find a Grave) The wealthy former soldier and military historian who influenced the Civil War far away from the battle lines Today’s Tedium ponders our constant hunt for historical parallels to understand the world. So, for an issue, I’m going to lean into it. Tedium is not a news platform and has never promoted itself as such, so I find this spontaneous grasping for parallels interesting. For some reason, without being explicitly promoted this way, these two stories have drawn interest from readers looking for a way to contextualize what is looking to be the biggest news story of the past two decades: the worldwide outbreak of COVID-19, the disease popularly known as the coronavirus. First, I wrote about the saga of Ayds, the “diet” candy that was removed from the market amidst the AIDS crisis, which spoiled its brand strategy and second, I wrote about the tale of American Samoa, which effectively avoided the worst of the 1918 Spanish Flu outbreak due to some quick thinking on the part of a government appointee. In part, it’s because I’ve seen things that I’ve written take this status of historical parallel for some people without me really having to do much to push it. With 60 black-and-white images to illustrate design development, this book would be an essential read for academics and students of architecture with a particular interest in further understanding the inner workings of the architectural creative process.Today in Tedium: I’ve been thinking a lot about the way that history can create parallels we can build upon and learn from. The book also draws on a range of anthropological ideas including skilled practice and enchantment in order to explore why axonometrics are important to architecture and questions the degree to which the drawing convention influences the forms produced by architects. Using James Stirling, JJP Oud, Peter Eisenman, John Hejduk, and Cedric Price as case studies, Lucas highlights each architect's creative practices which he anaylses with reference to Bergson's concepts of temporality and cretivity, discussing ther manner in which creative problems are explored and solved. The practice of drawing offers significantly different insights, not easily accessible through discourse analysis, critical theory, or observation. Ray Lucas argues that by retracing the marks made by architects, we can begin to engage more directly with their practice as it is only by redrawing the work that hidden aspects are revealed. The book focuses on parallel projections such as axonometric, isometric, and oblique drawings. Drawing Parallels expands your understanding of the workings of architects by looking at their work from an alternative perspective.
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